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Six years after her critically acclaimed album forevher, Shura is back with her highly anticipated third studio album I Got Too Sad For My Friends. A pastoral blend of chamber pop, sixties folk and campfire Americana, it builds Shura’s introspective songwriting out into a vast landscape more tranquil than the soulful bounce of forevher, and more rustic than the brooding synth-pop of her 2016 debut Nothing’s Real. Though it’s an album rooted in themes of depression and loneliness, I Got Too Sad For My Friends is far from downcast. Instead, it stays fully present in its feelings and plunges its fingers into the earth – even when it can be painful to do so. Produced by Luke Smith (Foals, Shygirl, Depeche Mode) and featuring collaborations with Cassandra Jenkins, Becca Mancari and Helado Negro, it retains Shura’s usual crystalline sound and precision while introducing a different kind of warmth and earthiness.

Sleep Token returns with Even In Arcadia, their fourth offering and first under RCA Records, set to release on May 9th. This new chapter follows Take Me Back To Eden and continues the unfolding journey where Sleep Token further intertwines the boundaries of sound and emotion, dissolving into something otherworldly. 

Ariana Grande - eternal sunshine deluxe: brighter days ahead - Vinyl 2 LP

eternal sunshine deluxe: brighter days ahead - with nine bonus tracks, including six new songs. 2 LP translucent marble vinyl, gatefold jacket, 24-page booklet featuring lyrics and new photos.

It is with a certain sadness for his fans across mediums that Donald Glover has declared Bando Stone and the New World the last Childish Gambino album. The ostensible soundtrack to a feature-length movie of the same name, the hour-long project includes snippets of dialogue that hint at the film’s apocalyptic subject matter. The fact that the soundtrack is preceding the actual film is part of Glover’s strategy: He wants listeners to work to figure out what they’re listening to. “The soundtrack forces the audience to participate in a way that I don't feel like most things force you to participate,” he says. “It forces you to have an imagination. I already see people being like, 'This is very cinematic, this must be the part that... This feels like a credit sequence.' A lot of stuff feels flat because it's not asking you to participate. Art used to be you had to participate on some level and have some sort of thought process on it. You can't just be like, 'Oh, this is mid.'” Even without the benefit of the full visuals, these 17 tracks make for a satisfying swan song that synthesizes what came before with fresher ideas gleaned from the threshold of finality

Forever Howlong is Black Country, New Road’s first studio release since 2022's UK #3 album Ants From Up There, which gave the band their second Top 5 UK album in 12 months alongside their Mercury Prize shortlisted debut For the first time, and follows 2023's Live at Bush Hall, an album The Guardian claimed was a “magical resurgence” in a triumphant five-star review. Now, on studio album three, the band are once again building from the ground up in yet another miraculous musical transformation.

The long-awaited new record was produced by James Ford (Fontaines D.C., Arctic Monkeys, Depeche Mode, Blur) and sees Black Country, New Road settled into a new shape in which vocal duties – and most of the song writing – is split between Tyler Hyde, Georgia Ellery, and May Kershaw. “It created a real through line for the album, having three girls singing," says Ellery. "It's definitely very different to Ants From Up There, because of the female perspective - and the music we've made also compliments that."

Forever Howlong is an ambitious, meticulously detailed record that includes everything from folk to prog via baroque pop and touches of alt-rock – with nods to everything from Joanna Newsom to Randy Newman via Fiona Apple and Janis Ian – yet all the while retaining that unmistakably unique sound that only this combination of musicians can come up with. Although hugely varied and expansive, the album also feels deeply cohesive and focused, as it takes three distinct voices and styles and seamlessly intersperses them into a new collective sound.

Bon Iver’s three-song collection SABLE, was a prologue mired in darkness, a controlled burn clearing the way for new possibilities. fABLE is the book that follows. Where SABLE, was a work of solitude, fABLE is an outstretched hand. Radiant, ornate pop music gleams around Vernon’s voice as he focuses on a new and beautiful era.

 

With their debut album, Afterglow, Sleep Theory is carving out space at the forefront of modern hard rock, stacking stadium-sized hooks with genuine emotional weight. If their meteoric rise is any indication, this is only the beginning. The album, which offers a stunning display of diverse rock flavors, was produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects). 

 

Revolver put it best: “The band’s mix of metalcore, pop, and R&B is clearly connecting in a big way—and has positioned Sleep Theory as one of heavy music’s biggest breakouts.”

 

Sleep Theory isn’t just another rock band climbing the ranks—they’re an unstoppable force rewriting the genre’s rules in real time. Frontman Cullen Moore doesn’t just sing; he commands, delivering lung-busting hooks that sit comfortably between modern rock’s heaviest hitters and the emotional pull of early-2000s alt-metal. Sleep Theory’s sound blends anthemic rock, metalcore energy, and smooth R&B-inspired melodies, drawing comparisons to Linkin Park’s more dynamic moments. Moore’s vocal range allows for a mix of soaring melodies and intense screams, adding depth and versatility to their music.

 

In under two years, the Memphis-based quartet—Moore, bassist Paolo Vergara, guitarist Daniel Pruitt, and drummer Benjamin Pruitt—had rocketed from internet obscurity to festival mainstages and the momentum hasn’t slowed. With over 220 million streams on their first eight songs, Sleep Theory is proving that viral moments can have serious staying power.

 

The industry is watching. Sleep Theory closed out 2024 as the fifth most-played artist on Active Rock radio, with multiple singles cracking year-end rock and metal charts. Heavyweights like Jelly Roll and Disturbed’s David Draiman are openly singing their praises, while Shinedown, Beartooth, Wage War, Daughtry, and Falling in Reverse have already taken them on tour across the U.S. and Europe. 

Eric Church’s eighth studio album, Evangeline vs. The Machine features 8 new songs, including “Darkest Hour” and “Hands of Time.” A seven-time ACM Award-winner, four-time CMA Award-winner (including the highest honor for Entertainer of the Year) and 10-time GRAMMY-nominee, Church has amassed a passionate fan base around the globe known as the Church Choir, plus a critically acclaimed catalog of music. This followed his Gold-certified Desperate Man, which earned a GRAMMY nomination for Best Country Album (his third nod in the category) and prior releases, including the platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), the 2x platin-certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and the 3x platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 36 gold, platinum and multiplatinum songs.

Deluxe version of Kassi Ashton's long-awaited, full-length debut album, Made From The Dirt, now featuring 5 additional tracks, including "Sounds Like Somethin' I'd Say (feat. Parker McCollum)." Made From The Dirt not only showcases Kassi's one-of-a-kind signature style front and center, but it also tells her story so far. She holds nothing back on these ten tracks - from the knockout title track "Made From The Dirt" to the exhale of the finale "Juanita." Spiking her brand of country with rock 'n' roll spirit and unabashed vulnerability, she proudly wears her heart on her sleeve.

Bryce Leatherwood's self-titled debut album includes the tracks "Where the Bar Is," "Shenandoah," and his current single at Country radio, "Hung Up on You." On the song's September 2024 release, Leatherwood shared, "Growing up, Country radio is what we listened to at home, so taking this one to the airwaves is a full circle moment for me. All I've ever wanted to do is make my family and everyone back home proud and having them hear my voice on the radio is a dream come true." He is the winner of season 22 of the American talent competition The Voice and has the distinction of being the first winner of the show to be a Wildcard artist during the live playoffs. He competed on the team coached by Blake Shelton, earning Shelton his ninth and final win as a coach on the show.

Grammy Award-winning singer/songwriter Jason Isbell is one of the most respected and celebrated artists of his generation. The North Alabama native possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty. After releasing multiple albums and touring the world with his band, the 400 Unit, Isbell will begin 2025 with a change of pace. He will hit the road on his own, performing solo this winter and early spring at historic music venues across Europe and the US. In conjunction with these much anticipated shows, Isbell will be releasing a new album featuring only his voice and an acoustic guitar, an all-mahogany 1940 Martin 0-17. These recordings further demonstrate his pure talent as a songwriter and musician. Produced by Gena Johnson and Jason Isbell, and recorded at Electric Lady Studios in NYC, ‘Foxes in the Snow’ is set to be released on March 7th.

Limited clear vinyl LP pressed at 45rpm. Arriving as a standout group in the current American shoegaze renaissance, Phoenix four-piece Glixen transcend all expectations of what the genre should currently look and sound like. The band creates a profoundly heavy sonic experience with their music, paying respects to their predecessors but resulting in something completely modern. An amalgamation of influences like Björk, My Bloody Valentine, Godflesh, t.A.T.u, and Hum, their sound crawls with intensity and introspection to contrast lead singer Aislinn Ritchie's lulling vocals.

The highly anticipated final Juice WRLD album has arrived. The Party Never Ends as Juice rounds out his legacy with a final gift. The Party Never Ends finds Juice diving down different alleyways of his colorful, complex psyche. With features from Eminem, Fall Out Boy, Nicki Minaj, Offset, The Kid LAROI, and production from benny blanco, Nick Mira, and Cashmere Cat among many more collaborators, the posthumous set is a fitting celebration of a once-in-a-generation artist. See the tracklist below.

Coheed and Cambria presents their forthcoming album, The Father of Make Believe, out via Virgin Music Group. The new full-length marks the 10th studio album from the New York band and continues the narrative of The Amory Wars / Vaxis universe, following their 2022 album, Vaxis Act II: A Window of the Waking Mind.

After a decade releasing music as Years & Years, Polari is literally Olly Alexander talking the talk. He bonded with Danny L Harle over a mutual love of 80s club music, that period of uncompromising, avant-garde pop which nonetheless snuck into the mainstream. Polari remained a north star throughout the creative process, a secret language likewise lacking widespread recognition but still influential in plain sight. And after a long history of secrets and subtext, Polari is ultimately an open and universal pop record about those needs that transcend time, sexuality, and self: what it means to belong, to be loved, and (Polari literally translates as “to talk”) to connect.

Indie/D2C Exclusive Recycled Clear Vinyl Oceanside Countryside is the latest of Neil Young's great “lost” albums to be released as part of his Analog Original Series. The album was recorded from May to December 1977, preceding the release of Comes A Time in 1978. The two albums share the same country/folk sound, and three songs (“Goin’ Back”, “Human Highway” and “Field of Opportunity”) appear on both albums. The vinyl release of Oceanside Countryside includes some tracks that are on the CD of the same name in Neil Young’s Archives Vol. III. However, this track list is how Oceanside Countryside was originally planned to be released. Recorded on tape, these are the original mixes done at the time of recording. All the songs on “Oceanside” are performed solo by Neil Young. On “Countryside,” Young is joined by a band of his friends: Ben Keith (Steel Guitar), Rufus Thibodeaux (fiddle), Karl T. Himmel (drums), Joe Osborne (bass). On “The Old Homestead” Tim Drummond plays bass and Levon Helm plays drums. “Pocahontas” is Young solo. Please note that while the songs on Oceanside Countryside appear on Archives Vol.III, the versions are not always the same and the track list is the running order for the original Oceanside Countryside album. On this analog original vinyl release, the versions of “Lost in Space,” “Captain Kennedy” and “The Old Homestead” are from Hawks & Doves in 1980. “Sail Away”, “Goin’ Back”, “Human Highway”, “It Might Have Been”, and “Pocahontas” are the same versions as on Archives Vol. III  in digital. “Field of Opportunity” and “Dance Dance Dance” are the original versions that have Young on backing vocals instead of Nicolette Larson as they appeared on Archives Vol.III.

TRACKLIST: Side A: Oceanside 1.       Sail Away 2.       Lost in Space 3.       Captain Kennedy 4.       Goin’ Back 5.       Human Highway Side B: Countryside 1.       Field of Opportunity 2.       Dance Dance Dance 3.       The Old Homestead 4.       It Might Have Been 5.       Pocahontas

Brat green double vinyl. Gatefold with inner and outer die cut hole on both sleeves. Lyric book. new gatefold image. sticker inside shrink wrap.

After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast's fourth album, For Melancholy Brunettes (& sad women), marks the band's first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined it's predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.For Melancholy Brunettes follows a transformative period in Zauner's life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. "I felt seduced by getting what I always wanted," she says. "I was flying too close to the sun, and I realized if I kept going I was going to die."The plight of Icarus and other such condemned ones lends For Melancholy Brunettes it's most persistent theme, the perils of desire. Like light dispersed, it's spectral parts take the album's characters through cycles of temptation, transgression and retribution. On "Orlando in Love" - a riff on John Cheever's riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo - the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren's call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). "Honey Water" plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating it's own demise.Sadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life's essentially tragic character occurs with sensitivity to it's fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record's many episodes, they sound most saliently on it's final song, "Magic Mountain," an engagement with Thomas Mann's famous novel of the same name. For her, making any work feels like scaling a mountain, but from the perch of For Melancholy Brunettes, she surveys the future.

Hurry Up Tomorrow is the upcoming sixth studio album by the Canadian singer-songwriter The Weeknd, scheduled to be released through XO and Republic Records. It will serve as the final part of an album trilogy that began with After Hours (2020) and continued with Dawn FM (2022).

Coheed and Cambria presents their forthcoming album, The Father of Make Believe, out via Virgin Music Group. The new full-length marks the 10th studio album from the New York band and continues the narrative of The Amory Wars / Vaxis universe, following their 2022 album, Vaxis Act II: A Window of the Waking Mind.

The highly anticipated final Juice WRLD album has arrived. The Party Never Ends as Juice rounds out his legacy with a final gift. The Party Never Ends finds Juice diving down different alleyways of his colorful, complex psyche. With features from Eminem, Fall Out Boy, Nicki Minaj, Offset, The Kid LAROI, and production from benny blanco, Nick Mira, and Cashmere Cat among many more collaborators, the posthumous set is a fitting celebration of a once-in-a-generation artist. See the tracklist below.

Bob Mould - "Here We Go Crazy" [Multicolor Smush LP] Alt-rock legend Bob Mould returns with his new album, Here We Go Crazy. The former frontman of Hüsker Dü and Sugar delivers 11 slices of anthemic, emotional driving alternative rock. Featuring singles "Here We Go Crazy," "When Your Heart Is Broken," and "Breathing Room," the album finds Bob in top form. Available on multicolor smush vinyl. Limited Edition. Indie Exclusive.

New album on Cloudy Black Ice Colored Vinyl. New York Hardcore band Combust take you into the Belly of the Beast on their new album set for release through Triple B Records in March 2025. Marking the band's second album and fourth release, Belly of the Beast is 100% pure hardcore. Recorded with Zach Miller at Landmine Studios, the twelve tracks bounce through unique grooves, menacing riffs, and a tough vocal delivery. The guest heavy record showcases community within the hardcore scene and beyond, with features from members of Terror, Mindforce, Crown Of Thornz, Dmize, Imposter, and rapper Rome Streetz.

Indie/D2C Exclusive Recycled Clear Vinyl Oceanside Countryside is the latest of Neil Young's great “lost” albums to be released as part of his Analog Original Series. The album was recorded from May to December 1977, preceding the release of Comes A Time in 1978. The two albums share the same country/folk sound, and three songs (“Goin’ Back”, “Human Highway” and “Field of Opportunity”) appear on both albums. The vinyl release of Oceanside Countryside includes some tracks that are on the CD of the same name in Neil Young’s Archives Vol. III. However, this track list is how Oceanside Countryside was originally planned to be released. Recorded on tape, these are the original mixes done at the time of recording. All the songs on “Oceanside” are performed solo by Neil Young. On “Countryside,” Young is joined by a band of his friends: Ben Keith (Steel Guitar), Rufus Thibodeaux (fiddle), Karl T. Himmel (drums), Joe Osborne (bass). On “The Old Homestead” Tim Drummond plays bass and Levon Helm plays drums. “Pocahontas” is Young solo. Please note that while the songs on Oceanside Countryside appear on Archives Vol.III, the versions are not always the same and the track list is the running order for the original Oceanside Countryside album. On this analog original vinyl release, the versions of “Lost in Space,” “Captain Kennedy” and “The Old Homestead” are from Hawks & Doves in 1980. “Sail Away”, “Goin’ Back”, “Human Highway”, “It Might Have Been”, and “Pocahontas” are the same versions as on Archives Vol. III  in digital. “Field of Opportunity” and “Dance Dance Dance” are the original versions that have Young on backing vocals instead of Nicolette Larson as they appeared on Archives Vol.III.

TRACKLIST: Side A: Oceanside 1.       Sail Away 2.       Lost in Space 3.       Captain Kennedy 4.       Goin’ Back 5.       Human Highway Side B: Countryside 1.       Field of Opportunity 2.       Dance Dance Dance 3.       The Old Homestead 4.       It Might Have Been 5.       Pocahontas

The beauty of The Devil Makes Three is the way they take an old-time musical genre and, by putting their own imprint on it, turn it into something that lives and breathes anew, passing the torch to a new generation, just as stateside rock fans learned about the likes of pioneers Little Richard, Chuck Berry, Jerry Lee Lewis and Buddy Holly from the first wave of British Invasion bands. With their latest album, Spirits, the band continues this tradition by incorporating their signature punk, folk and bluegrass sound along with country and singer-songwriter leanings. “That’s what we set out to do. We wanted to use these musical forms to talk about current issues,” explains Pete Bernhard. “We didn’t want to just sing about trains and mining and drinking. For myself, it didn’t seem relevant. Folk music should be about what’s happening now, just as it was when Woody Guthrie and Bob Dylan did it. Our music is not just a re-enactment of something old and dusty.” The song titles alone describe the band’s return to a stripped-down, drum-less sound and songs that reflect the ongoing struggle to survive amid the uncertainties of the current volatile climate: “Dark Gets the Best of You,” “Divide and Conquer,” “Ghost are Weak,” “Hard Times,” “I Love Doing Drugs,” “Poison Well” and “The Devil Wins.” The tracks were recorded at Dreamland, part of a converted church compound outside Woodstock in upstate New York which offered some haunted moments of its own, with plenty of spooky thunderstorms and lightning. “There’s definitely a theme of ghosts and death running through this album,” acknowledged Bernhard, who lost his mother, brother and closest childhood friend while making the record. “It also has a good amount of political material, a reflection on how divided people are these days, just trying to find common ground. Not being able to perform our music live led to some deep reflections.” The Devil Makes Three have a very loyal, dedicated and diverse fan base that wouldn't necessarily spend much time together. With Spirits the band hope to continue to bring together all sides to listen to the band's take on personal hardships as well as shared struggles.

Hailing from northeast England, Fender is a British songwriter with a penchant for euphoric, hard-hitting guitar anthems. Bursting onto the scene with a BRITs Critics’ Choice win in 2018, his first two albums, Hypersonic Missiles (2019) and Seventeen Going Under (2021), both debuted at Number 1 on the UK’s Official Albums Chart and earned Platinum status. With over two billion global streams, Fender has headlined stadiums in Newcastle, toured arenas across the UK and Ireland, and headlined at major festivals like Reading/Leeds, while also supporting icons like The Rolling Stones and Bruce Springsteen. If Seventeen Going Under – Fender’s sophomore album and second to debut at Number 1 on the UK’s Official Albums Chart – was his “coming of age” album, his forthcoming work is his next step – colorful stories and observations of everyday characters living their everyday, but often extraordinary, lives. Sam produced People Watching alongside bandmates Dean Thompson and Joe Atkinson over two years, working first in London in 2023 with producer Markus Dravs, and then earlier this year in Los Angeles with Granduciel. See below for track listing.

Coastal is a personal, behind-the-scenes documentary on Neil Young as he cruises the coast on his 2023 solo US tour. The film gives an intimate view of the maverick musician, as he navigates a return to the stage post-Covid. From his everyday observations on the bus to his candid banter with his audience. Coastal is a rare peek behind the curtain of this unguarded iconoclast. The film was shot and directed by Daryl Hannah. Coastal - The Soundtrack features 11 Neil Young songs including "Song X", "Vampire Blues" "Expecting To Fly", "Throw Your Hatred Down", "I Am A Child", and "Prime of Life".

Sunny War, also known as Sydney Ward, found inspiration for her latest album Armageddon In A Summer Dress while living in her late father's 100-year-old house in Chattanooga, TN. She initially thought the house was haunted. Eerie sounds and visions led her to write the song "Ghosts." However, she later discovered that hallucinations were caused by gas leaks, shifting her understanding of those experiences but not her artistic focus. Armageddon In A Summer Dress explores themes of memory, loss, and the ghosts of past selves. After the success of her 2022 album, Anarchist Gospel, Sunny spent more time touring with artists like Bonnie Raitt and Mitski. To avoid falling back into past struggles with alcohol, she channeled her energy into music, crafting intricate demos and experimenting with sound. This process involved shifting from acoustic to electric guitar, aiming for a fuller band sound. Tracks like "One Way Train" and "No One Calls Me Baby" highlight her blend of punk and roots influences, emphasizing the rebellious spirit shared by both genres. A notable collaboration on the album is with Steve Ignorant from Crass, whose participation in "Walking Contradiction" reflects Sunny's admiration for the band and its critique of modern society. Armageddon in a Summer Dress serves as a reflection on identity and choices, balancing heavy themes with empowerment. Sunny War encourages listeners to live authentically and resist societal pressures. Committed to continual growth, she sees every performance and song as an opportunity for exploration. Through her music, Sunny War captures the complexities of life, loss, and the transformative power of creativity.

Irish rock band The Murder Capital Return with their third studio album, Blindness, recorded in Los Angeles earlier this year with producer John Congelton (St Vincent, Angel Olsen, Sharon Van Etten) and featuring the recently released single ‘Can’t Pretend To Know’ and coming single ‘Words Lost Meaning’. Blindness is the vividly realised, clear-sightedly ambitious new album from The Murder Capital. A record that’s both momentous and charged with momentum. That’s intimate and simultaneously expansive. Eleven songs that don’t hang about in terms of grabbing the listener.

Killswitch Engage — Adam Dutkiewicz [lead guitar], Joel Stroetzel [rhythm guitar], Mike D’Antonio [bass], Justin Foley [drums], and Jesse Leach [vocals] — first shook the structure of heavy music upon climbing out of snowy industrialized Western Massachusetts in 2000. A musical outlier, the band pioneered a union of thrashed-out European guitar pyrotechnics, East Coast hardcore spirit, on-stage hijinks, and enlightened lyricism that set the pace for what the turn-of-the-century deemed heavy. 2002’s Alive Or Just Breathing became avowed as a definitive album, being named among “The Top 100 Greatest Metal Albums of the Decade” by Decibel and celebrated by everyone from Metal Hammer to Revolver. Not only did they bust open the floodgates for dozens to follow, but they also garnered three GRAMMY® Award nominations in the category of “Best Metal Performance” in 2005, 2014, and 2019, respectively, a gold certification for The End of Heartache [2004], and a platinum certification for As Daylight Dies [2006]. The group landed three consecutive Top 10 debuts on the Billboard Top 200 with Killswitch Engage [2009], Disarm The Descent [2013], and their career high best bow at #6 with Incarnate [2016]. The latter two releases, along with 2019's Atonement, would also both capture #1 on the Top Rock Albums and Top Hard Rock Albums charts. The band's total streams are nearing 3 billion to date, while they've remained consummate road warriors who've sold out countless headline tours and have shared stages with everyone from Iron Maiden to Slipknot to Slayer to My Chemical Romance to Mastodon to Parkway Drive, which is a testament to their ability to cross genres and appeal to all fans of hard rock. KsE have remained a featured attraction at every major North American and European festival through the years. The band is celebrating an astonishing, 25-year career as one of the most vital and genre-defining bands of the '00s and continues its incredible legacy by unleashing This Consequence, a masterfully executed record that captures the band's signature sound all the while leveling up on teeth-baring tracks like "Forever Aligned," "I Believe," and "Collusion."