Thrice created Palms with a free-form and fluid approach to the album’s sonic element. The result is their most expansive work to date, encompassing everything from viscerally charged post-hardcore to piano-driven balladry. To carve out that eclectic sound, Thrice enlisted trusted producer Eric Palmquist for the recording of the percussion and vocal tracks, and self-produced all of the guitar parts on Palms. “When we track our own stuff we tend to be far less neurotic about getting every note perfect,” says singer Dustin Kensrue. “It’s more about getting the right emotion out of the performance, so that it connects on a deeper level.” Kensrue, co-founded Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998. Hailing from Orange County, California, the band formed when three of its members were still in high school, making their debut with the kinetic punk/hardcore hybrid of the 2000 album Identity Crisis. Their breakthrough arrived with 2003’s The Artist in the Ambulance—Thrice’s third full-length, whose singles “All That’s Left” and “Stare at the Sun” each landed on the Billboard Alternative Songs chart. Palms is the band’s first release since signing to Epitaph in early 2018, and the album matches its raw passion with a measured intensity, a rare feat for an album so informed by the volatility of the times. “Even though some of these songs are really aggressive-sounding, I wanted to make sure they never felt like finger-pointing, especially at a time when there’s so much talking past each other,” says Kensrue. Within that approach, Thrice reveal their profound commitment to making an enduring impact on the listener.
Multi-platinum global superstar and seven-time Grammy Award winner, Carrie Underwood will release Cry Pretty, her first studio album on Capitol Records Nashville on September 14. The title track and lead single was released worldwide on April 11. The title track, “Cry Pretty” is currently in the Top 10 on the Media Base & Billboard charts.
True Meanings is an album characterised by grandiose-yet-delicate, lush orchestration: an aesthetic to which Weller's better-than-ever voice, singing some of his most nakedly honest words, is perfectly suited. A dreamy, peaceful, pastoral set of songs to get lost in, it is both an album that his faithful audience has been wanting him to make for a long time, and an album that many new people outside of that audience will relate to.
True Meanings was recorded in just over three weeks at Weller's own Black Barn Studio with the aforementioned revolving cast of characters dropping in for a day here and there. The orchestration was added soon after and that was that. It is always a good sign when the recording of an album is swift, and here you can just hear that the man at the center of these songs is more focused and inspired than he has ever been.
Tony Bennett and Diana Krall celebrate their shared love of the music of George and Ira Gershwin on their new collaborative album, LOVE IS HERE TO STAY, set for a September 14th release.
LOVE IS HERE TO STAY is a subtle, sophisticated and beautifully rendered love letter to The Gershwins’ music and their status as one of the premiere songwriters of the American popular standard. It is a masterclass in vocal delivery and phrasing and the command that Bennett and Krall display of the material in both their duets and solo tracks makes it appear effortless, belying the honed skill of the vocalists. The duet tracks include “S’Wonderful,” “I’ve Got Rhythm,” “They Can’t Take That Away from Me” and “Fascinating Rhythm,” among them. “Fascinating Rhythm” was Tony Bennett’s first physical recording in 1949, made under his then stage name, Joe Bari, which he revisits as a duet with Krall for this project.
Richard Thompsons new album, 13 Rivers, is the artists first self-produced record in over a decade. 13 Rivers is a very stripped down, bare-bones recording and according to Thompson the album is a reflection of current events that have happened in his life. This has been an intense year for myself and my family, getting older doesnt mean that life gets easier! There are surprises around every bend.
I think this reflects in the immediacy of the stories, and the passion in the songs. Sometimes I am speaking directly about events, at other times songs are an imaginative spin on what life throws at you. The music is just a mirror to life, but we try to polish that mirror as brightly as possible. The album was recorded at Boulevard Recording in Los Angeles, California. 13 Rivers features Richards regular accompanists, Michael Jerome and Taras Prodaniuk, as well as Thompsons guitar tech, Bobby Eichorn, on second guitar.
Each track on the album was recorded in analog, with minimal overdubbing. Boulevard is a really funky-looking studio, says Richard, but it sounds great. It used to be called The Producers Workshop, and was owned by Liberace, whose ghost is reportedly still hanging around. Steely Dan records were done there, and The Wall by Pink Floyd was mixed there. Clay Blair, the engineer, is a Beatles nut, and has every piece of Beatles gear he can lay his hands on - so if things sound a bit like Abbey Road, so be it!
13 Rivers consists of thirteen tracks. It is an album as much about growth as it is about reflection. Says Thompson, I dont know how the creative process works - I suppose it is some kind of bizarre parallel existence to my own life. I often look at a finished song and wonder what the hell is going on inside me. We sequenced the weird stuff at the front of the record, and the tracks to grind your soul into submission.
Cold War Kids is the self-titled compilation album by the American indie rock band from Long Beach, CA. Forming in 2004, and signing with Downtown Records in 2006 where they released 5 stellar albums, Cold War Kids compiles their biggest hits from the Downtown Records years and features 14 tracks including “First”, “Hang Me Up To Dry”, “Miracle Mile” and many more.
The latest postcard from The Chills epic journey is an album about consolidation, re-grouping, acceptance and mortality, claims the chief Chill. Hopefully a kind of Carole King Tapestry for ageing punks. Wow! Are rock bands allowed to grow old gracefully and assess the world's and their shortcomings in the process? Is it possible to swerve the obvious and make something that's bittersweet in tone but harmonious on the ear? Of course it is. On Snow Bound lost heroes are lamented, relationships are re-evaluated, atonement is sought, mortality is mulled over and fake news is undercut. It's serious stuff, the thoughts of a dysfunctional 50-something wrestling with maturity and discovering that their post-punk DIY beliefs still have a real voice that resonates between the fans of their early years and which can now pass down to the next generation. Casting our minds back, we can recall that The Guardian mused, They sound almost like the musical embodiment of autumn, when confronted with Silver Bullets. Three years on, Snow Bound nestles heartily in its own winter of discontent. And all this with a humalong melodic verve, Phillipps' gift for the tempered dalliance of verse and chorus and those gorgeous euphoric organ fills. Let the soul-searching commence
With his new album Songs of Resistance 1948 - 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Over a forty-year career, Ribot has released twenty-five albums under his own name and been a beacon of New York’s downtown/experimental music scene, leading a series of bands including Los Cubanos Postizos and Ceramic Dog. Since his work with Tom Waits on 1985’s Rain Dogs album, though, he is best known to the world as a sideman, playing on countless albums by the likes of Elvis Costello, John Mellencamp, Norah Jones, the Black Keys, and Robert Plant and Alison Krauss’ Grammy-winning collaboration Raising Sand.
A previously unheard home studio cassette recording of Prince performing at his piano in 1983 will be released as Piano & A Microphone on Sept. 21. The nine-track, 35-minute project from the Prince Estate in coordination with Warner Bros. Records is planned for what would have been the rock icon's 60th birthday.
This rare, intimate glimpse finds Prince working through songs including "17 Days" and "Purple Rain" (which would both be released the following year), a cover of Joni Mitchell's "A Case of You," "Strange Relationship" (issued in 1987 on the Sign O' The Times album) and "International Lover," as well as a rare recording of the pre-Civil War spiritual "Mary Don't You Weep," which will be heard on the end credits of Spike Lee's upcoming film BlacKkKlansman, due out in August.
Joyce Manor are back with a new album, entitled Million Dollars To Kill Me. Frontman Barry Johnson along with co-founding guitarist Chase Knobbe, new drummer Pat Ware—(“Awesome new drummer,” adds Johnson)—and longtime bassist Matt Ebert, wrote enough songs to fill a full-length, and then worked to get songs lifted from emails between Johnson and one of his musical hero Impossibles’ guitarist/vocalist Rory Phillips, with whom he had been co-writing long distance, to match the ones written at full volume. (“Bedroom charm versus live rock band,” Johnson explains.) Their next step was a new step: their first time recording outside their L.A. hometown, at Converge’s Kurt Ballou’s GodCity studio in Salem, Massachusetts. They recorded daily 10-to-6 and then slept right upstairs in bunk beds: “Kinda felt like camp,” says Johnson. “It was a pleasure—I would recommend it to anyone.” If 2016’s Cody was about growing up, then Kill Me is about what happens next—the reckonings with love, money, doubt and confusion, and the hope that persists despite it all.
"I always planned on getting back together with the Conspirators as soon as possible, and continuing on with what we started," Slash says. Which brings us to LIVING THE DREAM, the new full-length offering from the group-which, in addition to SLASH and singer KENNEDY, also includes bassist TODD KERNS, drummer BRENT FITZ and, making his recorded debut after several years of live work with The Conspirators, rhythm guitarist FRANK SIDORIS. The album, their third overall following World on Fire and 2012's Apocalyptic Love, is possibly the band's strongest collective statement to date. From the barnstorming, high-octane riffery of opener "Call of the Wild" to the wah-drenched funk rock of "Read Between the Lines," the haunting majesty of "Lost Inside the Girl" to the swaggering deep-in-the-pocket Seventies grooves of "Serve You Right," the stately, quasi-classical melodic themes of "The Great Pretender" to the massive hooks and anthemic, singalong choruses of first single "Driving Rain," LIVING THE DREAM packs a compendium of sounds and styles into 12 tightly arranged and sharply executed tracks, all of it shot through with SLASH's trademark electrifying and dynamic riffing and high-wire, lyrical solos.
Richard Reed Parry’s Quiet River of Dust, is a meditative, widescreen musical experience with Beach Boy harmonies and a hypnotic pulse. Layered songs that move in a linear fashion, following a current rather than circular composition. Japanese folk myths, death poems and British folk music are tributaries flowing into a river of avant-garde composition and traditional song craft, written and performed by a member of the Grammy-winning rock band, Arcade Fire. Being released as two volumes, Quiet River of Dust Vol. 1 will be available on the start of the autumn equinox, September 21 2018. Quiet River of Dust Vol. 2 is coming out next year on the spring equinox 2019. Long before he joined Arcade Fire in 2003, Richard Reed Parry grew up in a thriving folk music community in Toronto, where house parties were full of singing. While a student of electroacoustic music and contemporary dance in university, he formed the instrumental ensemble Bell Orchestre, who have released three albums. In 2014, he released an album of biologically inspired compositions, Music for Heart and Breath, on the prestigious Deutsche Grammophon classical label. The genesis of these songs came after Arcade Fire’s first tour of Japan in February 2008. Parry stayed on for weeks after the last show, heading to a monastery for some solace in “the biggest silence you’ve ever heard.” One day he was walking alone in a massive, snow-covered cedar forest when he heard distant voices, voices that sounded a lot like his father’s folk group back in Toronto, Friends of Fiddlers Green. (Parry was 18 when his father died in 1995.) “There was no reason for something to sound like full-throated, British-Isle folk singing there,” he recalls. “I walked and walked but I could never get closer to where the music was coming from.” The ghostly experience inspired the song “On the Ground,” which in turn inspired the rest of the song cycle. When it came time to record “On the Ground,” he enlisted his father’s former colleagues on concertina, Northumbrian pipes and fiddle. For a musician raised in a musical family and environment, collaboration and community are essential parts of the process. Guest performers on this project include Parry’s partner Laurel Sprengelmeyer of Little Scream, Stef Schneider of Bell Orchestre, Dallas Good of the Sadies, Yuka Honda of Cibo Matto, Amedeo Pace from Blonde Redhead, and The National’s Aaron and Bryce Dessner.
Redemption is Joe Bonamassa's 13th solo studio album and third in a row of all original material and sees him at his most ambitious and diverse yet as he continues to redefine and push the barriers of blues-rock. It features a collection of 12 exhilarating songs that reflect the re-birth that he is currently going through. You see the real shades of light and dark, for every trip into the tender depths of emotion there are some glorious hip shaking moments of joy and all the while accompanied by supreme musicianship and Bonamassa’s masterful and rich guitar playing. With 20 #1 Blues Albums on the Billboard Chart, Joe is an unrivaled guitar prowess and a once in a lifetime artist that has an insatiable desire to push himself to his best potential on every level. 2LP is 180g black vinyl and includes a download card.
Big Bad Blues, as the title suggests, focuses on Gibbons' lifelong love of the blues and rock & roll, showcasing the blues-influenced vocals and guitar licks that have together served as the foundation for his numerous hits over the past five decades. The album features 11 tracks balancing some classic covers like 'Rollin' and Tumblin,'' and 'Standing Around Crying' along with some of Billy's signature new blues originals.
Denzel Curry's highly-anticipated third album TA13OO will be released in three acts. The first act, Light, will be released July 25th, followed by Gray on July 26th and Dark on July 27th. Each early single represents one of the album's acts, as "Sumo" represents Light, "Clout Cobain" represents Gray, and "Percs" represents Dark, which come together cohesively to form TA13OO. Across the three sections of TA13OO, Denzel explores topics including molestation, the presidential election, fame, hatred, paranoia, revenge, love, the current state of music and personal tales of his own near death experiences. Sonically, the album ranges just as widely as its subject matter, sounds of paranoia, fear of loss, brooding melancholy and mood swings straight from hell all find their way onto TA13OO, making this Denzel's most groundbreaking musical performance to date.
TA13OO is the first longform statement from Denzel since his 2016 album Imperial, which landed him on the XXL Freshman cover and helped set the template for the South Florida sound that has exploded in the last few years. The album bridges the gap between the older generation of hip hop and the budding generation of SoundCloud rappers that he helped birth in sound and style, all while commanding respect from them both with lethal lyricism and deeply personal storytelling.
Board the Millennium Falcon and journey to a galaxy far, far away in Solo: A Star Wars Story, an all-new adventure with the most beloved scoundrel in the galaxy. Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian, in a journey that will set the course of one of the Star Wars sagas most unlikely heroes.
After defeating the Legion of Doom, DC’s Legends of Tomorrow face a new threat created by their actions. By revisiting a moment in time that they had already participated in, they’ve essentially fractured the timeline and created anachronisms all across time! In Season 3, the Legends must find a way to return all the anachronisms to their original timelines before the time stream falls apart.
By most bands’ fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of to-formula execution of what’s worked in the past. Fair enough. All Them Witches go a harder route.
In 2017, the Nashville four-piece offered what might’ve otherwise become their own template in their fourth album, Sleeping Through the War. Also their second for New West Records behind 2015 mellow-vibing Dying Surfer Meets His Maker, it brought a larger production value to dug-in heavy psych blues jamming, with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson).
After exploring new ground through their early work on 2013’s Lightning at the Door and 2012’s Our Mother Electricity as well as Dying Surfer, the band had arrived at something new, sprawling, and grander-feeling than anything before it.
So naturally in a year they’ve thrown that all to the Appalachian wind, turned the process completely on its head and gone the absolute other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation.
The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of who they are as a band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, All Them Witches’ All Them Witches isn’t self-titled by mistake.
It’s the band confirming and continuing to develop their approach, in the shuffle of “Fishbelly 86 Onions,” the organ-laced groove of “Half-Tongue,” the tense build of “HJTC” and the fluid jam in closer “Rob’s Dream.”
It’s a reaction to being a “bigger” band. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks’ vocals to McLeod’s commanding slide in “Workhorse” and drifting melancholy at the outset of “Harvest Feast,” All Them Witches is their laying claim to the essential facets of their identity.
And most crucial to that identity is its shifting nature. All Them Witches didn’t get to this point by resting on laurels, and if anything, the urgency of these tracks – fast pushers and sleepy jams alike – is among their greatest strengths.
It’s a rawer delivery, as stage-ready as the band itself, and as ever, it captures All Them Witches in this moment. Is it who they’ll be tomorrow? Who the hell knows? Check back in and we’ll all find out together. That’s the whole idea.
Regarded as the “Best Rapper Alive,” Lil Wayne to release highly anticipated new album Tha Carter V via Young Money Entertainment on 9/28. Lil Wayne has sold over 100 million records worldwide and is a 5x Grammy Award winning rap artist. Lil Wayne will receive ‘I Am Hip Hop’ Honor at the 2018 BET Hip Hop Awards in October.
4-track 12" Vinyl EP. Recoded live at Copenhagen's Royal Arena in October 2017, Performing new album Skeleton Tree's beautiful compositions alongside songs from their essential catalogue, Distant Sky captured an extraordinary and triumphant live concert from Nick Cave & the Bad Seeds from their celebrated 2017 world tour.
LP will be packaged Die-cut jacket with 2 triangle flaps will have 1 pocket to hold insert. 21 minute Instrumental song, Play , featuring Dave Grohl playing all instruments Other Specifications: Project Update: Recorded at East/West Studios in LA (Concrete and Gold studio) Audio recorded by Darrell Thorp (Concrete and Gold) Project came together to help promote music education in schools
Reprise Recordswill releaseAn American Treasure-a career-spanningTom Pettybox set.The 60-track set unveils dozens of previously unreleased recordings, alternate versions of classic songs, rarities, historic live performances and deep tracks that spotlight Tom's remarkable depth and evolution as a revered and tremendously influential songwriter, recording artist and performer.An American Treasuremarks the first release of Tom Petty music since the artist's tragic passing in October 2017.
An American Treasure: Deluxe Edition- A 4-CD set that features all 60 tracks, plus a 52-page booklet with rare and previously unseen photographs of Tom, his bandmates, family and friends. The booklet also features detailed track-by-track liner notes by noted journalist and Tom Petty aficionado Bud Scoppa, who drew upon his previous interviews with Tom and new conversations with Mike Campbell, Benmont Tench and Ryan Ulyate, as well as Adria and Dana Petty.
Rod Stewart will release his 30th studio album – “Blood Red Roses” – September 28th on Republic Records! The album highlights Stewart’s acclaimed songwriting roots – blending the poignant observation, self-reflective introspection and playful swagger which established him as one of the world’s best-selling artists of all time.“Blood Red Roses,” a deeply personal 13-track collection of originals and three covers, is quite simply peak Rod Stewart. The album’s first single, “Didn’t I” is about the damage drugs can do from a parent’s’ point of view. This new album, his first in three years, follows international bestsellers “Another Country” (2015) and “Time” (2013) and will be released nearly 50 years to the date of when he signed his very first solo recording contract.
Centered around Butler’s virtuoso guitar stylings and powerful, progressive lyricism, HOME draws upon a remarkable variety of musical genres, spanning folk, blues, funk, classic rock ‘n’ roll, and beyond. Out September 28, HOME is a message of redemption, a reflection of the inner and outer worlds Butler was experiencing and observing during this chapter of his life. The John Butler Trio is guitarist/vocalist John Butler, bassist Byron Luiters and percussionist Grant Gerathy. Packaging is Double LP White Vinyl.
Rick and Morty is the critically acclaimed, half-hour animated hit comedy series on Adult Swim that follows a sociopathic genius scientist who drags his timid grandson on insanely dangerous adventures across the universe. Rick and Morty stars Justin Roiland (Adventure Time), Sarah Chalke (Scrubs), Chris Parnell (Saturday Night Live) and Spencer Grammer (Greek). The series is created by Dan Harmon (Community) and Roiland who also serve as executive producers. •Rick and Morty was the most-watched TV comedy of 2017, and the second-most-watched show overall, among adults 18-24. •The Season 3 premiere (via a secret, internet-only stream) registered 3M unique visitors via Adult Swim's site. The corresponding Facebook live stream recorded 43.3M impressions and 8.7M video views. •The season 3 finale drew 3.9M viewers in the 18-24 range and was the most-watched telecast of the day with adults 18-24, 18-24, and 18-49. •Rick and Morty was recently renewed by Adult Swim for an unprecedented 70 episodes (the past season was ten episodes). This release is the first official collection of music from Rick and Morty. All formats feature 26 songs, 24 of which are from the first 3 seasons of the show, and 18 of which were composed by Ryan Elder specifically for the show. The album also includes songs by Mazzy Star, Chaos Chaos, Blonde Redhead, and Belly, all of which have been featured in the show, as well as two new tunes from Chad VanGaalen and Clipping inspired by the show. The box set includes a special bonus track on a 7”.
Recorded in a church in New Orleans, and produced by T-Bone Burnett, Jon Batiste’s major label debut is a stunning showcase of the brilliant pianist and vocalist. Primarily just Jon and his piano, Hollywood Africans includes standards, unexpected covers, and original songs. This release displays Batiste’s dynamic talents and highlights his musicality and virtuosity on his instrument.
In Sicario: Day of the Soldado, the series begins a new chapter. In the drug war, there are no rules – and as the cartels have begun trafficking terrorists across the US border, federal agent Matt Graver (Josh Brolin) calls on the mysterious Alejandro (Benicio Del Toro), whose family was murdered by a cartel kingpin, to escalate the war in nefarious ways. Alejandro kidnaps the kingpin’s daughter to inflame the conflict – but when the girl is seen as collateral damage, her fate will come between the two men as they question everything they are fighting for.
Blumhouse Productions welcomes you to the movement that began as a simple experiment: The First Purge. To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America test a sociological theory that vents aggression for one night in one isolated community. But when the violence of oppressors meets the rage of the marginalized, the contagion will explode from the trial-city borders and spread across the nation.
We’re so excited! We’re so excited! Missing your favorite pals from Bayside High? It’s alright, ’cause you're SAVED BY THE BELL! Conduct your own class reunion with this Max-ed out collection of the iconic 90s Saturday morning sitcom. The adventures of Zack and his friends (Kelly, Slater, Jessie, Lisa, and Screech) were a cultural touchstone for a generation of teens. Now, you can relive the laughter, lessons, and love (Zack + Kelly 4EVER) all over again. From JFK Junior High to Cal U, Miss Bliss to Mr. Belding, Malibu Sands to Hawaii, and dance contests to "dearly beloved! ", With 118 episodes from all three series: Good Morning, Miss Bliss, Saved By The Bell & Saved By The Bell: The College Years, plus both movies and a locker full of special features, this Zack Morris megaset is a must-have for fans!
Three Identical Strangers tells the astonishing true story of three men who make the chance discovery, at the age of 19, that they are identical triplets, separated at birth and adopted to different parents. The trio's joyous reunion in 1980 catapults them to fame but it also sets in motion a chain of events that unearths an extraordinary and disturbing secret that goes far beyond their own lives – a secret that goes to very heart of all human behavior.
Twenty One Pilots shook the world with the release of their 2015 LP BLURRYFACE, an album that would go on to sell over 7 million copies worldwide and earn the band their first ever GRAMMY® Award as they shattered longstanding chart records, and captivated audiences worldwide on sold-out arena runs and at international festivals. Now three years later, the duo of Tyler Joseph and Josh Dun have returned to write the next chapter of their story with TRENCH, the band's highly anticipated new studio album. TRENCH finds Twenty One Pilots fearlessly reimagining the possibilities of their music through the same candid expression and genuine identity that helped to cement their place as one of the largest bands in the world.
Super Deluxe version includes 4CDs (new stereo mix, outtakes, raw studio recordings, track-by-track) and 2BluRays (5.1 surround mixes, HD audio, Elements mixes, Elliot Minz audio documentary).
On October 5, Universal Music celebrates the apex of John Lennon’s solo career with a six-disc box set, Imagine – The Ultimate Collection. This historical, remixed and remastered 140-track collection is fully authorised by Yoko Ono Lennon who oversaw the production and creative direction. Spread across four CDs and two Blu-ray discs, this truly unique expanded edition offers a variety of listening experiences that are at once immersive and intimate, ranging from the brand new Ultimate Mixes of the iconic album, which reveal whole new levels of sonic depth, definition and clarity to these timeless songs, to the Raw Studio Mixes that allow listeners to hear Lennon and the Plastic Ono Band’s original, unadorned performances, to enveloping 5.1 surround sound mixes, and a Quadrasonic Album Mix, presenting the original four speaker mix remastered in Quadrasonic sound for the first time in nearly fifty years. This ultimate deep listening experience, which features scores of previously unheard demos, rare outtakes and isolated track elements, also includesThe Evolution Documentary, a unique track-by-track audio montage that details the journey of each song from demo to master recording via instructions, rehearsals, recordings, multitrack exploration and studio chatter. The comprehensive nature of the full Imagine – The Ultimate Collection is the absolute best representation of a career artist working at the top of his creative game.
Jim James returns with Uniform Clarity, the My Morning Jacket front man’s second solo album of 2018, produced by Grammy-award winning producer Shawn Everett (Alabama Shakes, The War On Drugs). Uniform Clarity explores the acoustic side of the songs on June’s Uniform Distortion with an intimateness rarely felt in recorded music. Check out Uniform Distorion on CD/ LP/ Indie Exclusive LP.
“Desperate Man” Church’s first single off the new album is currently in the Country Radio charts at #15. Co-written by Church with Texas musician Ray Wylie Hubbard as well as collaborating with producer Jay Joyce. The CMA Award winning singer won the Album of the Year in 2016 for Mr. Misunderstood and has reached Platinum status. It included the hit singles- Mr. Misunderstood, Record Year, Kill A Word, and Round Here Buzz. Desperate Man will contain 11 Tracks.
“Excitement for new music from my favorite artists is a feeling I can remember from my formative years. The unknown and the possibilities of the anticipation are one of the true joys of music,” shares the North Carolina native. “Well, even though how we discover songs from our favorite performers may have evolved, the feeling remains the same.”
Coheed and Cambria have distinguished themselves as among the most gifted storytellers in rock. While the most conceptually abstruse Coheed records have always had a foundation in reality,The Color Before the Sunmarks the first time Sanchez is exposing his raw feelings, narrated from his own perspective. His own story is told through big, bright, driving, colorful songs that beam like power-pop, crunch like vintage '90s emocore and float with the expansive feel of space-rock.
Stardust Birthday Party is about human evolution. Specifically, one humans evolution: mine, Ron Gallo. That’s the name my parents gave me. Hi.
At one point, I was a very lost mid-twenties person living in Philadelphia, in a relationship with someone struggling with mental health issues and crippling heroin addiction. I was asleep. I didn’t know how to handle my life. I was also writing songs for HEAVY META - my “frustrated with humanity” album. I laugh about it all now, but at the time it all felt like an absolute nightmare. It was the perfect doorway to look inside the place I’d been avoiding forever: myself.
Stardust Birthday Party is about what is happening underneath all of this life stuff. My path inward. The details of my path are pointless because everyone’s path is different. It is about me sitting with myself for the first time and confronting the big question “WHAT AM I, REALLY?” It’s about the love and compassion for all things that enters when you find out you are nothing and everything. I think at one point I wanted to change the world, but now I know I can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. And that’s what this album is about, it’s me dancing while destroying the person I thought I was, and hopefully forever.
In the liner notes of John Coltrane’s album A Love Supreme (which we pay tribute to on this album) he wrote: “During the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music.”
That’s it. That is the pure essence of creativity. Someone embodying what they have realized about themselves and the world that surrounds them. That is why this album exists.
Thank you for letting me share this with you. Ron Gallo
There are few voices more deeply embedded in the iconography and mythology of American indie rock than that of Chan Marshall. Under the musical nom de plume of Cat Power, Marshall has released music for nearly 25 years now and her prowess as a songwriter, a producer, and most notably—as a voice—has only grown more influential with time. Wanderer, Cat Power’s stunning 10th studio album, marks a pivotal moment in both Chan Marshall’s life and her career. In the six years since the release of 2012’s Sun, Marshall has travelled the world, given birth to a child, and parted ways with her previous record label. Even though it was, in many ways, a period of profound upheaval and radical change, those experiences resulted in a record that is arguably the most assured artistic statement of her career. Produced by Marshall and mixed by Rob Schnapf (Elliott Smith, Beck), the album includes appearances by longtime friends and compatriots, as well as guest vocals courtesy of friend and recent tourmate Lana Del Rey. Wanderer is, in many ways, a quintessential Cat Power record, with Marshall’s clarion voice front and center in a set of songs that remarkably stark and straightforward. But, if old Cat Power records might easily have been viewed as repositories for pain, Wanderer is, at its heart, a testament to the transformative nature of songs, an album-length imagining of alternate paths, redemptions, connections, and open-ended possibility.
Since scoring a worldwide smash with her debut album ‘Eye To The Telescope’ in 2004, which went on to sell over 5 million copies, KT Tunstall has remained at the forefront of UK singer-songwriter talent. Over the next decade, three further critically acclaimed albums followed; ‘Drastic Fantastic’, ‘Tiger Suit’ and ‘Invisible Empire//Crescent Moon’ in 2007, 2010 and 2013 respectively, keeping the platinum sales rolling and cementing the Scottish singer-songwriter’s reputation as a major recording talent, as well as a mesmerising live artist. Tunstall has toured the world many times over. She landed a Grammy nomination for Best Female Pop Vocal Performance and lent her tunes to a host of movies and TV shows ('Suddenly I See', used in the iconic opening scene of Meryl Streep flick 'The Devil Wears Prada'). 2012 and the years that followed saw a seismic shift in outlook - the loss of her father, a divorce, and a relocation to Venice Beach, California. After a period of healing, soul-searching, and a change of scenery, 2016 hailed the arrival of the first of a trilogy of albums, the critically acclaimed UK top 10 album - 'KIN'. The trilogy evokes, separately and in sequence, spirit, body and mind. With 'KIN' being her phoenix-from-the-ashes 'spirit' album, 2018 will mark the second offering of that trilogy - her 6th studio album, her ‘body’ album - full details of which are to be revealed later this summer. The last few years have seen something of a creative rebirth for Tunstall. Upon relocating to the west coast of the USA, she was accepted as one of six annual fellows for the Sundance Film Institute’s Composers Lab (hosted by George Lucas’s Skywalker Ranch in Northern California) and has since scored music for short and feature films. As well as putting the finishing touches to her forthcoming album, 2018 has already seen KT being awarded the Inspirational Artist gong at Music Week's Women In Music Awards as well as having been invited to take on the role as the first ever female Grand Marshal (following the likes of Sir Sean Connery) to lead April’s annual New York Tartan Week Parade along Sixth Avenue. She will spend the summer touring with The Pretenders, Simple Minds, and Barenaked Ladies on the lead up to the much- anticipated release of her 6th studio album this Autumn.
Double LP on black vinyl in wide spine jacket. Includes 22.75” x 33” 2-sided folded newsprint poster. Includes coupon for full download
“Never sink and never hide / They tried to break our dream, but child: / Joy Stops Time”. I was sent an unfinished version of Dose Your Dreams so that I might contribute string parts. I couldn’t stop listening to the rough mixes I received. A friend asked me how the record was. I replied, “My God, Fucked Up have made their Screamadelica.”
And psych-rock-groove it is. The drums mixed wide, propensity for drones, for delay pedal, for repetition, groove. The politics and aesthetics of hardcore married to an “open format” approach to genre. Elements of doo-wop, krautrock, groove, digital hardcore.
“None of Your Business Man” opens the album in familiar enough territory, a sax-assisted exit from an office space. But things get psychedelic very quickly. By the time the title track arrives, Mike Haliechuk is whispering, wah pedals are in full effect, and we’re wearing oversized t-shirts and pinwheeling. “Accelerate,” the lyrical centerpiece of the album, storms in like Boredoms on a bullet train and dissolves into a digital nightmare. The album closer, “Joy Stops Time,” finds Fucked Up at their most Düsseldorfian, nearly eight minutes of blissful motorik.
At the center of it all is Damian Abraham’s scream—a man chained, a man tortured, a true protagonist. The effect is one of an epic, every chapter attempting its own narrative devices, its own genre hybridization—and it works, it works so insanely well. The drama unfolds like a miniature world of many parts being explored, a map being illuminated, location by location.
As with David Comes to Life, there is a story here. David—who once came to life—is now indentured to a desk job. David meets the elderly Joyce who closes his eyes, opens his mind, and sends him on a spiritual journey. David embarks on his own metaphysical odyssey. He sees a stage adaptation of his own life. He speaks to an angel in a lightbulb. He sees an infinite series of universes as simulations within simulations.
Meanwhile, Lloyd—Joyce’s lover—was sent, decades ago, by Joyce on the same odyssey, but was lost in the void. Lloyd seeks to be found and reunited with his lover. Where will David end up? Will Joyce and Lloyd be reunited?
Dose Your Dreams—meaning: treat your dreams as you would a dream, allow yourself to be lost within them, allow them to open your heart and your mind, enjoy them as you would a drug. Reach out for my hand and pull me close.
Eagle Rock are delighted to announce the release of two films by John and Yoko, Imagine and Gimme Some Truth. Both films, which focus on the Imagine era, have been hand restored frame-by-frame from the original film reels into HD, and their soundtracks have been remixed in glorious 5.1 surround sound, and remastered. Includes exclusive, never-before-seen bonus content on DVD and blu-ray. This is the first time both films have been commercially available at the same time.
Former FBI Hostage Rescue Team leader and U.S. war veteran Will Sawyer (Dwayne Johnson) now assesses security for skyscrapers. He's on assignment in China when he finds the tallest, safest building in the world suddenly ablaze, and he's been framed for it. A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family, who are trapped inside the building, above the fire line.
It's been three years since theme park and luxury resort, Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island's dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event.
In 1970 the Isle of Wight Festival was one of the largest musical events of its time. Bigger than Woodstock, and controversial from the get-go, hundreds of thousands of people descended on the island. Many of those without tickets set up camp on a hill overlooking the festival site, opposing the consumerism of the event and intent on taking the music back by any means necessary. It was a celebration of hippy counter culture gone awry, and in Joni's words "they fed me to the beast". Joni Mitchell took to the stage to deliver an outstanding performance against all odds. At times it was a battle against the audience, as they tore down barriers and shouted obscenities. Her set was interrupted multiple times, including one man invading the stage to try address the crowd. She later commented, "It seemed like an appropriate time to flee...", but still the seemingly fragile folk-rock singer stood her ground. Instead she returned to her piano, sitting on a fold-up wooden chair, and made an impassioned plea for respect from the audience, continuing her set with "My Old Man" she won over the crowd and the atmosphere softened. In response the front page of Melody Maker hailed her with the frontpage headline, "Joni triumphs!". Directed by Academy Award winning filmmaker Murray Lerner, Both Sides Now: Live At The Isle of Wight Festival features new interviews with Joni, discussing her recollections of the event intercut with festival footage, both onstage and behind the scenes, offering a fascinating insight into a now legendary concert from the artists point of view and putting the events of the day into context. Alternatively, fans can enjoy the uninterrupted live concert footage featuring classic songs such as "Woodstock", "Both Sides Now" and "Big Yellow Taxi". This was the final film from Murray Lerner, who sadly passed away not long after the films completion.
Ridding National City of Queen Rhea and her Daxamite army was a major win for Supergirl, but one that came at a significant cost, as Kara was forced to sacrifice her budding relationship with Mon-El. As season three returns with all-new supercharged adventures, Kara and team will come up against a new threat in the form of DC Worldkiller, Reign.
Travel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around the country over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips. Every song, whether it’s a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it’s due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next. Using past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin’ drawl. He revels in the minutiae of the music—not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on “Hysteria,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.” These journeys took Vile more than two years to navigate, during which time he toured behind his breakout 2015 album b’lieve I’m goin’ down, recorded a duets album with Australian singer-songwriter-guitarist Courtney Barnett, opened for Neil Young in front of 90,000 people in Quebec, famously became a clue on Jeopardy, hung out with friends, took vacations with his wife and daughters. “I’ve been bouncing around a lot and recording all over. My family would meet me in the middle of America, and we’d go on a road trip somewhere. I would record in between all that stuff.” As Vile prepares for another round of lengthy tours and countless shows, these songs should prove good company, reminders of the love and responsibility he has toward those he leaves at home and those he meets along the way. That makes the sentiments resonate more strongly and lends Bottle It In an emotional weight. “It’s like that moment on the airplane,” Vile says, “when you’re on your way somewhere and you have that burst of panic. When you’re terrified of dying, that’s when you want people to know you love them.” “Impeccably recorded and mixed songs that shuffle bits of folk, new wave, or country in the mix but are always squarely down-the-middle rock.” Mark Richardson, Pitchfork “Vile’s self-awareness is as appealing as his melodies, and he’s stoked a reputation as a bit of a slacker maharishi—at the very least, a look inside Vile’s head might make you think a bit more deeply about what’s going on in your own.” The New Yorker
Following a short hiatus ATREYU returned firing on all cylinders with Long Live during 2015. It crashed the Top 30 of the Billboard Top 200 and earned widespread acclaim. The band sold out countless headline shows in addition to sharing the stage with everyone from Slipknot to Linkin Park. After a 2 year tour cycle for Long Live, Atreyu regrouped in Southern California for what would become offering number seven, reuniting with producer John Feldmann who famously helmed Lead Sails Paper Anchor
It's been a couple of years since we heard from Justin Courtney Pierre. When we last left off, his celebrated rock band Motion City Soundtrack decided to take a hiatus following a victory lap in support of their sixth album, Panic Stations. This culminated with a Riot Fest performance and a sold-out, career-spanning show at The Metro in Chicago in September of 2016. In reality, what he's been doing lately hasn't been terribly exciting bio fodder: He's been in Minneapolis, mowing the lawn, cultivating tomatoes, taking care of his daughter and figuring out who he is if he isn't the guy fronting Motion City Soundtrack. “I guess the jumping off point for this album was that I wanted to see if I could just write everything myself and perform as much of it as I could,” Pierre says of the impetus for his first solo album, In The Drink. When it came to recording the songs, it made perfect sense to enlist longtime collaborator and Motion City Soundtrack guitarist Josh Cain to produce In The Drink. “Working with Josh on this album was super fun because we have been working together for 20 years and basically share a brain. But it didn't have the same dynamic of Motion City Soundtrack in the sense that at the end of the day I got to call all the shots,” Pierre says. Musically, In The Drink sees Pierre evoking his usual influences like Pavement, Superchunk, The Flaming Lips, Jawbox, Fugazi, Sonic Youth, Dinosaur Jr., Nirvana, more Jawbox, Tom Waits, The Carpenters and Eddie Money, but through his own unique perspective and sung via his instantly recognizable tenor. From the quirky, anthemic pop of “Anchor” or “I Don't Know Why She Ran Away” to more moody, darker material such as “Moonbeam” (which features guest vocals from Jenny Owen Youngs) and the experimental closer “Goodnight Hiroyuki,” the album is Pierre at his most unfiltered and the results are sublime (even if it sounds nothing like Sublime).
After two years of relentless touring, Colter Wall wanted to make an album about home. Drawing on the stories of Saskatchewan, Canada, the young songwriter's corner of the world takes shape throughout his second full-length album, Songs of the Plains. Produced by Dave Cobb in Nashville's Studio A, the project combines striking original folk songs, well-chosen outside cuts, and a couple of traditional songs that reflect his roots growing up in the small city of Swift Current.
This collection of personal favorites and important milestones is the first anthology to span Petty’s entire career, from the first album to Mudcrutch 2. The album contains 38 tracks on 4 LP’s including the hits “Free Fallin’, American Girl, “You Don’t Know How It Feels”, You Wreck Me: and many more. The album also includes two unreleased tracks, “The Best of Everything (Alternate Version)” and the previously unreleased and unheard “For Real”.